Rose-Anne Gush

Rose-Anne Gush

Sprechstunde: nach Anmeldung per mail

Curriculum Vitae

  • 2020 Juliane and Franz Roh Post-Doctoral Fellow in Modern and Contemporary Art, Zentralinstitut für Kunstgeschichte, Munich, Germany.
  • 2019 Teaching Fellow in History and Theory of Art, Slade School of Fine Art, University College London, London, UK.
  • 2014-2019 PhD, History of Art, School of Fine Art, History of Art and Cultural Studies, University of Leeds. Title: ‘Figuring Austria’s Repressed Violence: Artistic Labour of the Body in the work of Elfriede Jelinek and VALIE EXPORT’.
  • 2014-2017 University of Leeds 110 Anniversary Scholarship.
  • 2016 Zantop Travel Award for research in Vienna.
  • 2015-2016 Seminar Tutor, School of Fine Art, History of Art and Cultural Studies, University of Leeds. Leeds, UK
  • 2013 MA Contemporary Art Theory, Goldsmiths, University of London. Dissertation “False Feelings: A Critique of the Therapeutics of Art and the Therapeutics of Work through Participation”.
  • 2011 BA (hons) Art Practice, Goldsmiths, University of London.

Publikationen (Auswahl)

  • Negation Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, Keywords for Marxist Art History Today, Bd. 21 (2019), 97–106. Link
  • Contradictions in Time: Fascism’s use of “Woman” and Feminist Resistance in Austria Third Text, 33.3 (2019), 355–73 Link
  • Disfiguration, Obliteration: What Remains of the Body in the Works of Unica Zürn and VALIE EXPORT Performance Research, 23.8 (2018), 39–48 Link
  • The Fantasy of Misogyny as World Structure in The White West, eds. by., Ana Teixeira Pinto and Kader Attia (Berlin: Sternberg Press) (forthcoming)
  • The Vanishing of the Family in Plumes of Smoke in Feminist Takes: Early Works, eds. by., Antonia Majaca in coll. with Rachel O’Reilly and Jelena Vesic (Berlin: Sternberg Press) (forthcoming)
  • Howardena Pindell in Feminist Avant-Garde, ed. by., Gabriele Schor, (Prestel) (forthcoming)
  • The Fate of Labour in Love in Objects of Feminism, Art theoretical writings from the Academy of Fine Arts 10, eds. by., Maija Timonen and Josefine Wiström (Helsinki: The Academy of Fine Arts at the University of the Arts Helsinki, 2017), pp. 75-95. Link
  • A Letter from Vienna Tribune Magazine, Summer 2019, pp. 25-27. Link
  • Fraternising in Austria in Art Monthly 410, October 2017, pp. 41-42. Link
  • VALIE EXPORT: Image and Body Space in AWARE Archives of Women Artists Research & Exhibitions, November 2017 (available in translation in French). Link

Konferenzen & Vorträge (Auswahl)

  • Roundtable launch of Kunst und Politik- Keywords for Marxist Art History Today, Marxism in Culture Seminar, Institute of Advanced Studies, University College London, London, UK, March 6, 2020.
  • ‘The Fantasy of Misogyny as World Structure’ at THE WHITE WEST III, Automating Apartheid, Kunsthalle Wien and Burgtheater, organised by Ana Teixeira Pinto and Kader Attia. February 13 & 14, 2020.
  • ‘Restaging or Unworking: Notes on strategies against historical and current fascist tendencies’, Critical Studies Lecture Series, Sandberg Institute, Amsterdam, Netherlands. Guest Lecture and workshops. April 2, 2019.
  • ‘A Mountain of Fate: Elfriede Jelinek’ Centre Prospéro, Langage, image et connaissance at Saint Louis University, Brussels, Belgium, December 12, 2018.
  • ‘Disfiguration, Deformation: Der Körper im Werk von VALIE EXPORT’, University of Art and Design and VALIE EXPORT Center for Performance and Media Art, Linz, Austria. December 6, 2018.
  • ‘Fascism as a Cultural Force in Austria Today’, at THE WHITE WEST: The Resurgence of Fascism as Cultural Force, La Colonie, Paris, France. Organised by Kader Attia, Giovana Zapperi and Ana Teixeira Pinto. May 9, 2018.
  • ‘Artistic Labour of the Body’ in the context of Justin Fitzpatrick’s Underworld at Kevin Space, Vienna, Austria. February 25, 2018.
  • ‘On Writing’ School of Fine Art, University of Reading, Reading, UK. November 8, 2017.

Veranstaltungen (Auswahl)

  • ‘Feminism Against Family’ screening at mumok kino, Vienna, in conjunction with a lecture and discussion with Sophie Lewis, author of Full Surrogacy Now (Verso, 2019) at Depot, Vienna. Organised with Barbara Kapusta. May 13 & 20 2020.
  • ‘Subject and Matter in Moderation’ screening and workshop with filmmaker Anja Kirschner on her film, Moderation (2015). Organised with Luisa Corna. School of Fine Art, History of Art and Cultural Studies, University of Leeds, Leeds, UK. December 2017.
  • ‘Speak, body: Art, the Reproduction of Capital and the Reproduction of Life’ School of Fine Art, History of Art and Cultural Studies, University of Leeds, Leeds, UK. Organised with Gill Park, Tom Hastings and Sophie Jones. Keynotes: Martha Rosler and Marina Vishmidt; Introduction: Griselda Pollock. Funded by: White Rose College of the Arts & Humanities; Arts Council England; CePRA; School of Fine Art, History of Art and Cultural Studies, University of Leeds. Link
  • ‘Figuring the Repressed’ at Untimely Media / Domestic Techniques, University of Vienna, Austria, organised by Caroline Schopp and Barbara Reisinger. May 2019.
  • ‘Artistic Labour on Violence’ contribution to the workshop: Elfriede Jelinek: Alterity, Xenophobia and Cultural Translation at Vrije Universiteit, Brussels in collaboration with the Elfriede Jelinek Research Centre, University of Vienna. December 2018.